The new film begins with the disadvantage of a three-decade old story that has been made and re-made in many languages. Rajkumar’s cinematography is a plus in these sequences. However the soothing montage numbers make a difference. The last song (‘Soin …’) and the jig thrust in the midst of crucial happenings are patience testers that grate on the ear. SOI - the actor sure has the looks and figure to pull it off. Kazhugu, it’s a glam show all the way in Ko, it’s another noteworthy part for Piaa - hope our makers don’t decide that she’s only cut out for tragic cameos! In Bindhumalini’s case, after a subdued but powerful role in That he bears the burden of a part played very successfully by Vijayakanth, and by Rajnikanth in the Hindi version (Īndha Kanoon ), is by itself a big challenge.Ī solid role for Reemma Sen, and but for her erroneous lip movement in the mouthing of dialogue (strange that she hasn’t perfected it even after working in so many films in Tamil!) her performance wins notice. The lacuna lies in his footwork, which isn’t exactly laudable. The pleasing personality of Thaman Kumar, who looks more like a honed version of Dhanush, is a draw. The theory that the law in our country is obsolete and can be interpreted to help criminals is a valid point SAC made decades ago. But later films from SAC himself and from other makers of the era followed and over the years the theme has been beaten to pulp.
Chandrasekaran and actor Vijayakanth because of the freshness in the plot and the unique thought process woven into the story. ) The earlier film turned out to be a milestone in the careers of director S.A. Making a few changes in the line and treatment of the original of the same name for it to be suitable to the modern milieu, young director Sneha Britto tries to re-create the magic in the second
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